Though the Netflix series The Crown about Queen Elizabeth II and Fox’s Pitch might seem worlds apart, both respectively pull back the curtains and demystify the figures, traditions, politics, and rituals of Major League Baseball and British royal sovereignty.
And while much of the series, of course, rests on the shoulders of Ginny Baker as she struggles to transition into pro ball under the glare of the social media microscope and 24/7 news cycle, it also provides a fun look at other aspects of the game (and business), making it as much like Moneyball, the book and story that told some of the story behind the business of baseball and the complexities of trades and contracts, as, say, 42, about Jackie Robinson’s breaking of the color barrier. It helps that the show has a quality deep bench of a supporting cast, including Mark-Paul Gosselaar (from, of course, Saved by the Bell) as team captain/catcher Mike Lawson, who is near the end of his athletic career; Ali Carter as Baker’s agent; Dan Lauria as the manager; Mark Consuelos, as the general manager; and Bob Balaban as the team owner. While the story deftly mixes in soap opera, humor and sexual tension, it also provides a behind the scenes look at the business, superstitions and rituals of baseball, like the wheeling and dealing involved in waiver deadline trades, baseball clubhouse kangaroo courts, and the superstition of not talking to the pitcher while a no-hitter is in progress.
Last I heard, Pitch was struggling in the ratings and a second season was still up in the air—in retrospect, I can see why. While I’m sure the producers would like to assure everyone that the show is for anyone who just likes good story and the show definitely works at that level, it’s not clear whether baseball fans are interested in a fictional behind the scenes look at the sport (or interested in an alternative world where a woman is called up to the MLB), nor appeal to television viewers who otherwise have no interest in sports and baseball.
At the end of the day, the show is a “workplace” drama(dy?) that happens to be set in baseball. But whether or not the network will be able to successfully market it that way remains to be seen. So, for now, enjoy it while you can!
I’m glad I stuck with it, however, because the series definitely improved with each episode and was definitely binge-addicting. The characters quickly came out of the shadows, with flashbacks to provide backstory and context. The series plans to cover Elizabeth’s full reign and the first series covers the first 10 years. It is not a fully detailed chronological history; instead, each episode hits on the touchstones, personalities and incidents that played a role in Elizabeth’s growth and development as sovereign. Though I'm hardly a "royal watcher," I always have been fascinated by stories that demystify formal protocol and tradition, as well as power and authority, so watching how Elizabeth is treated differently as Queen—and how she tries to modernize the monarchy while retaining the traditions and dignity of the crown—is right up my alley. Of course, there also is plenty of political and family intrigue along the way, which gives the series an opportunity to focus on some of the other colorful figures of the period, most notably Prime Minister Winston Churchill and Prince Edward, Duke of Windsor, formerly King Edward VIII, whose abdication to marry the American divorcee Wallis Simpson led to the ascension of his brother, George VI, whose somewhat premature death would open the door to Elizabeth II’s assumption of the throne. Indeed, both figures have episodes devoted mostly to them.
In this first season, covering roughly the first 10 years of her reign, we learn of the important role that Winston Churchill played in these early years (played by respected American actor John Lithgow in a bit of stunt casting that pays off). Churchill by this time was at the end of his career and had perhaps begun overstaying his welcome—and Elizabeth calls him out on it at one point by noting that her role as a new monarch has given him the cover to stay on. Nevertheless, while Churchill was in many ways the consummate politician, he also clearly acted in what he thought was the best interest both of Great Britain and the monarchy. We also learn of the limits of a modern-day, democratic constitutional monarchy, how constricted she actually is in both her political and personal life, of how circumspect and non-partisan she must be, and of the great responsibility she bears living a public life. While her spouse, Prince Philip, Duke of Edinburgh (played by former Dr. Who Matt Smith), has always had a reputation of being a bit of a prig, we nevertheless get a sense of their relationship and the importance of his support, despite his initial difficulty in being married to his sovereign, as well as not being allowed to pass on his family name to his heirs. (Partly for political reasons, Elizabeth elects to have her children carry the surname of Windsor rather than his Mountbatten. This was softened in later years when it was decreed that those not with royal titles in the line of succession could carry the name Windsor-Mountbatten.)
While The Crown takes us behind the scenes of the royal family and airs some dirty laundry (the cattiness of Prince Edward is particularly fun stuff, though the character eventually becomes poignant), if anything, this portrayal manages to maintain the dignity of Elizabeth and her family and underscore Shakespeare’s observation in “King Henry IV”: “Uneasy lies the head that wears a crown.”
Bonus Review: A Royal Night Out
Though the story is a light confection (and, apparently, completely fictionalized from what the princesses actually did that night), what makes it noteworthy are the winning performances of the well-cast Sarah Gadon as the young but sensible Elizabeth and Bel Powley as the flighty, somewhat goofy “P2,” Margaret (Margaret is portrayed in a much kinder, sympathetic manner in The Crown, as a somewhat tragic figure, while here she is more comic relief). I’d be hard-pressed to say whether Gadon or The Crown’s Claire Foy is the better Elizabeth, but you can’t go wrong with either! Like The Crown, you get a sense of how serious Elizabeth took her responsibility as monarch in waiting—and as mentioned above, as someone who is fascinated by behind-the-scenes looks at the power of office, like The Crown, there is a fascinating, effecting scene in how everyone’s demeanor towards Elizabeth changes the moment they realized they a member of the royal family is among them.