It's a tribute to Toth's continuing influence and the enduring quality of his work that, since his death in 2006, the artist's life and career continue to be examined despite the fact that he remains relatively unknown compared to more well known and commercially successful cartoonists like Charles Schulz and Milton Caniff who themselves have recently been the subject of serious biographies. New collections of Toth's work, like Setting the Standard: Comics by Alex Toth 1952-1954, continue to be published and he already has been the subject of an excellent documentary I reviewed previously, entitled "Simplicity” that was included on the DVD collection, Space Boy and Dino Boy: The Complete Series.
So though I’ve already written about Toth at the time of his death in 2006 and in places like the above-mentioned review, I’ll do my best to offer a quick overview of this first volume without going over old territory...
This first volume, entitled Genius, Isolated: The Life and Art of Alex Toth, by Dean Mullaney and Bruce Canwell, covers the period from the artist’s birth and childhood to his work at comic-book companies like National Periodicals (DC), Dell, Gold Key, Standard, and Western in the 1940s and ‘50s when Toth’s work fully matured and began to gain the notice and admiration of his fellow cartoonists, many of whom began trying to emulate him. (This was a time when comics distribution and creator credits were spotty, so few readers probably took notice until years later when Toth’s work became more sought after.) The volume concludes in the early 1960s when Toth—always his own worst enemy—left the industry in a pique one day when he entered the editorial offices of Western Comics and angrily read aloud his list of grievances. Understandably feeling that he had burned all bridges behind him, he stormed out of the office, likely believing his career in comics was over.
|Above: First two pages of Toth's groundbreaking "The Crushed Gardena" from 1953|
This is all well covered in the narrative, which included the participation of his four children and former spouses. Toth’s difficult personality is discussed candidly—though he was never medically diagnosed, it’s clear he likely suffered from some sort of personality disorder or clinical depression. Toth's personal life and his development and views as an artist are also discussed.
|Above: Original art from a 1950's romance story. Toth did some of his best work in these stories, which he personally enjoyed doing as well, and other artists took notice.|
The next volume of the series, Genius, Illustrated, will likely cover his years “in the wilderness” as a journeyman cartoonist, which will be followed by Genius, Animated, about his years in animation, particularly Hanna Barbera, where he became the company’s go-to man in conceptualizing and storyboarding iconic animated shows like Super Friends, Jonny Quest, Space Ghost, and many others.
Given the loving care and attention to this stunning new volume, there’s much to look forward to in volumes II and III. Meanwhile, anyone with an interest in Toth or comics art in general should savor this outstanding first volume.
* Beating them to the punch by a few months is a full-color reprint collection of JON FURY IN JAPAN by Paul Power Publications, which I recently mentioned here.