Over on Facebook, I posted the link below to a YouTube video from San Diego Comic-Con by a vlogger who goes by the handle JustinScarred, cued to my cameo appearance in the video! I ended up watching the entire video and greatly enjoyed it! As mentioned in my Facebook post, I was familiar with Justin, but I must say, his walk through of Comic-Con captured the show fairly perfectly. Though your mileage may vary, I do find Justin entertaining and funny—and while I know he's a big geek (his channel, Randomland, used to primarily focus on theme parks), I came away impressed by how broad his knowledge is of all things geek—including comics!
It was nice that he made a point of walking through and highlighting both the Small Press Area and Artist's Alley, and particularly called to attention his love for Stan Sakai and his work, Usagi Yojimbo, and not just in one video but two! Justin posted a video for each of the three days he was at the show—even more impressively, he pretty much edited and posted each video by the end of the day! That sounds pretty nuts! But I watched all three and enjoyed all of them. If anyone is inclined to get a sense of what it's like at Comic-Con, this is as good as you could ask for.
To go straight to the photogallery from the show, click here.
Although I’m still catching up and recovering from the show, I can confirm that this year was my best ever San Diego Comic-Con in terms of straight comic book sales! On top of that, I sold sketches and original art and still have some sketches and orders to fulfill now that I’m home.
As always, there was the usual mix of returning readers and new people discovering the series for the first time. Though people find their way to the series in different ways, I continue to be cheered by the appeal of Rob Hanes Adventures to a broad audience—it's been nice to discover that the series appeals to readers beyond what I assumed was a more specific target audience of classic comics.
Some love the art, with many “getting” the Jonny Quest/Tintin/old adventure strip vibe right off the bat. (The last couple of years, a lot of people have told me that my work reminds them of Archie comics!) Others dig the done-in-one adventures without the need to know an extended continuity, while others latch onto specific stories, like the baseball issue, the Comic-Con issue, the drawing room murder mystery story, or last issue’s “time travel” adventure that took Rob to the 1940s. (One person immediately recognized the film, Black Hawk Down, as an influence on issue 9 from the cover alone, before I even brought it up in my spiel—that reference is always a draw and he immediately picked it up.) I’m also glad that people today don’t get too hung up on the issue numbering, often picking up random issues based on what grabs them—and often coming back for more!
Best of all, with so many issues under my belt, I’m glad that people don't get hung up on having to start with number one and are open to picking up random issues—of course, it helps that all my stories are stand alone. And many do come back to complete their collection.
Though there is always an ebb and flow each day, Wednesday's Preview Night, Thursday and Friday were strong—my weakest day was Saturday. Back in the day, Saturday was often anticipated as a big sales day since, being a weekend day, that was when a big influx of attendees arrived. But my experience has been that the dominance of big draw programming in Hall H and other panels often sucked people off the floor. On Saturday, the size of the crowds was fine, but sales for some reason were much more difficult to make and close.
Panels and Exploring the Floor
The main drawback of being an exhibitor is that I rarely have time to explore the floor, go out to visit people I know, or attend many panels and programming. Nevertheless, I did still see many friends and colleagues at the show, many because they stopped at my booth.
I also was invited by artist-writer David Blake Lucarelli (Tinseltown) to participate in a Writing for Indie Comics panel on Friday at the Omni Hotel. I hadn't participated on a panel for years, so it was a great experience. Some people at the panel did come by my booth later during the show.
Colleagues and friends I saw included Andrew Pepoy (Simone and Ajax/Little Orphan Annie),who invited me to a dinner he traditionally organizes each year during Comic-Con, which also included Lucarelli, Ted Sikora (Hero Tomorrow Comics), and John Lustig (Last Kiss); comics writer Ron Ingersoll; comics writer Tom Mason; comics editor David Olbrich; Matthew Schofield (Steamroller Man); New Yorker cartoonist Lonnie Milsap; writer and Lucasfilm PR veteran Craig Miller, and more. In addition, while strolling through Artist’s Alley with my son, I bumped into Jackie Estrada, the night before she oversaw her very last Eisner Comics Industry Awards show after an amazing 35 year run! (I regret I didn’t think of taking a photo with her!)
I did attend some after-hour panels with my wife. I went with my wife and friends to see Kevin Smith’s after-hours panel in Hall H, as well as the Bad Medicine podcast panel she has taken to attending every year that features actual physicians—this year, in a panel entitled, “The Unbearable Weight of Medical Mixups,” they discussed the injuries and maladies seen in Nicholas Cage films. (Last year, they covered the many deaths of actor Sean Bean in films and television!) My wife separately also attended a podcast recording of a Comic-Con Hollywood Babble-On with Smith and Ralph Garman that was held at a local club in San Diego.
I also attended part of a “playback” panel where they re-play some of the big panels of the previous days (but cut any exclusive footage scenes)—though I saw part of the DC/HBO Max Peacemaker panel, I really wanted to see the Ryan Gosling and Ghosts panels, but ended up deciding to grab a late dinner with friends and family instead. Those panels often can be later found on YouTube anyway!
I also took time on Friday to explore the floor, primarily traversing to the opposite end of the floor to see the DC Comics booth and Artist’s Alley. On Sunday, I also made a quick run to the LEGO booth to see its impressively massive recreation of both the interior and exterior of the San Diego Convention Center during Comic-Con (seen in picture at right)!
Hiccups
Of course, there were also the occasional hiccups and obstacles. Over the past few years, I’ve experienced an intermittent issue with completing credit card orders on my mobile device that’s become worse over time—tap payments from a credit card have become particularly hit-or-miss unless it’s phone-to-phone. Though I fortunately still have my old plug-in card reader, even that was not going through. I even consuted with the IT/wifi folks at the exhibitor’s help desk! However, on the first day of the show, a customer (in fact, the one who bought issue 9 based on the Black Hawk Down cover) gave me a tip that really saved my bacon! He suggested I switch my data from 5G to LTE, saying that everyone at the convention center was clogging the 5G network—and that turned out to resolve my problem!! I had hoped to see the customer come back so that I could thank them, but they never did. In any case, what a lifesaver of a tip!
Though I didn’t mention it to many people during the show outside of family, I also caught a stomach bug the first night that woke me up at 3 a.m. each night and kept me occupied until it was time to prepare for the show. While I was fine the rest of the day, strangely, it would strike me again at the same exact time each morning. This went on for the duration of the convention! All things considering, since it didn’t affect me during the day and put me out of commission during the convention, it could have been worse.
While the current political climate has reportedly created a chill on international travel to the U.S., I must admit, I was happy to see some of the people who regularly come to the show from overseas stop by my booth. I always pointedly asked how it was coming into the country and, fortunately, none had any horror stories. These included people from Europe, Mexico and Canada.
News Coverage
My appearance at this year's San Diego Comic-Con generated some appreciated coverage at First Comics News (June 10), The Beat (July 11), and Bleeding Cool (July 13)!
I also made a quick cameo in YouTube @JustinScarred's Randomland channel in an episode from Comic-Con on July 26! The embedded video below is cued to my appearance, but I encourage you to watch the entire episode, it's actually as good an account of the Comic-Con experience as you can get!! I actually know of Justin's work from way back, when my son for a spell followed his channel. He's a big kid at heart and his videos are entertaining and funny—he posted three videos for the three days he attended.
In addition, an article about the show on, of all places, The National Review, included in its photo gallery a shot of the floor where you can clearly see me in the middle of the shot! (Photo below—you can clearly see my booth and me in the center, bottom third of the shot. My banner with the orange background pops pretty well!)
Lovely San Diego
As I've mentioned, this was my 28th appearance as an exhibitor. Though in many ways I have my system down pat, I've also learned to be flexible. Traditions come and go...
In recent years, we've begun staying at the Manchester Grand Hyatt, which is one property over from the Marriott Marquis next door to the convention center. We've stayed at both over the years, but have come to prefer the Grand Hyatt—it's close enough to walk but still provides a little distance from the frenzy of the convention that often bleeds into the Marquis. With Seaport Village in the back, a nice restaurant (and hotel commissary and bar in the lobby), it provides a more convenient alternative to having to forage for dinner in the Gaslamp. This year, I even discovered the pool!
Anyway, it was a fun and exhausting show, I’m already looking forward to next year—and already have the script for Rob Hanes Adventures #27 completed and ready to be drawn!
Below are additional photos from the show. Click here to see the entire photogallery.
Below is my annual report of the 2024 San Diego Comic-Con, held July 25–28, 2024. Or go straight to the photo gallery.
In terms of crowds, the 2024 San Diego Comic-Con felt like a return to form. The show is always crowded, but this year it felt moreso, even on my end of the floor in the Small Press. With the release of milestone issue 25 of Rob Hanes Adventures, sales were strong and steady, though 2022’s show—the first “regular” Comic-Con after the pandemic—remains my best year ever. Indeed, there seems to be an inversion law: whenever there is a level of buzz and activities outside of comics that excites and draws the crowds, that seems to slightly depress sales (at least for me).
Aside from the usual mix of longtime fans and supporters picking up the new issue and new people discovering the series, there seemed to be more than the usual number of memorable highlights for me at this show compared to years past.
The only negative note was that, for some reason, my Square app for taking credit card payments was sketchy the entire weekend—I believe it was due to a combination of both the app and poor data coverage. (I should add that I’ve been at this booth location for more than a decade and taken credit card payments on my mobile device even longer, and never before experienced such a chronic problem.) I even lost one sale though that buyer graciously returned on the last day, when the sale went through fortunately.
Sales of Original Art
Another boost to the bottom line was the sale of original art. While I have periodically sold pieces over the years, they tended to be more expensive cover art. Prior to the show, for the first time, I considered preparing and selling affordable sketches. So I did a few and brought them along, including a Will Eisner Spirit piece I had done earlier this year. I always exhibit my original art at my table and, without any signs or fanfare, displayed the sketches too. Several of them ended up being sold, along with a couple of original covers as well! In the future, I plan to include more sketches among sold items.
Catching Up with Friends and Colleagues
Even before Comic-Con kicked off with Preview Night on Wednesday evening, it started on a high note when I was on line at midday to pick up my professional guest badges. When I got on line, actor, screenwriter and comedian Thomas Lennon—who co-hosted the Eisner Awards this year as he has done a few times now—got on line behind me with a small group of companions. I didn’t bother him, but a few days later during the show, he walked by my booth. I mentioned I was a fan and handed him one of my comics (my Hollywood issue, as it happens, as that seemed apropos). He was delighted to receive it and when I asked if I could take a photo, he insisted on taking a selfie with me (see photos!).
While on that line, I also said hi and chatted a bit with TwoMorrows publisher John Morrow, and met and struck up a conversation with comics artist and writer Jimmy Palmiotti, who could not have been nicer. Then, when returning to my hotel to check in, I bumped into fellow cartoonist Andrew Pepoy in the lobby! We have known each other for years—he is a true fan of comics art and history. He has had a small press table just one aisle over from me for a few years now.
Other highlights included noted graphic designer Chip Kidd making a beeline for my booth after he spotted my work while walking by. I didn’t realize it was Kidd until after we’d been talking for a few moments. He complimented me on my work before moving on.
I also met Japanese manga artist and character designer Hitoshi Ariga, a guest at this year’s show, who was awarded an Inkpot on Thursday. After returning from a break, I found him looking through my comics and he seemed enthused by it. We chatted a little through his interpreter. Later, I posted about the meeting with a picture of the two of us on social media, and received a complimentary retweet from him! That was truly a great honor.
With manga artist and character designer Hitoshi Ariga
Other industry people I saw and chatted with include Tom Mason, David Olbrich, Charles Hatfield, Rik Offenberger, Barbara Kesel, Chad Frye, Nat Gertler, Mark Fearing, Matthew Schofield, Bill Morrison, Scott Shaw!, David Rios, Lonnie Milsap, Don Nguyen, Christie Shinn, and Craig Miller. My dinner with Andrew Pepoy included John Lustig and David Lucarelli, and his companion Jules. (Apologies for any omissions in the above list!)
Comic-Con Fever
But the enthusiasm of the crowds couldn’t be denied. There definitely was palpable excitement in the room, driven of course by Hall H programming that was back in full force after being in hibernation in 2023 due to the Hollywood industry strikes. Marvel Studios, of course, drove much f this, particularly in the surprise and last minute panels for Deadpool and Wolverine and then The Fantastic Four, which of course included the films’ stars.
From my Small Press exhibitor’s booth, the floor seemed incredibly packed, right from the get-go on Wednesday’s Preview Night. The Small Press gets its share of traffic—I’m nearly catty corner from the Charles Shulz Peanuts’ booth which often has a long line for its exclusives that snakes in front of my booth. It was even worse in the middle of the hall, extending out to the south end, where Marvel, the streamers (Hulu, Netflix, Paramount), toys (Lego and Funko Pop), and entertainment companies (including DC/Sony) all sit. Artist’s Alley is on that end of the hall along with the illustrator, comics artists and original art booths. When I walked to that end on one of the afternoons of the show, it was sometimes shoulder to shoulder! (I should add that I usually wore a mask when I was out and about in crowds.)
Because my focus is on selling comics, my time on the floor is limited, which means I don’t attend many panels or make many purchases, if at all. But being a huge fan of the Beatles, I did attend a “50 Years of the Beatles in Comics” panel that was moderated by animation historian Jerry Beck and included as a panelist Bill Morrison. I later picked up Morrison’s Yellow Submarine adaptation at Andrew Pepoy’s booth, after it sold out at the publisher’s booth where Morrison did a signing. Other purchases included a Will Eisner Spirit artist’s edition book from a French publisher and the Kong Crew #1 from the Stuart Ng Books booth and More Movie Memories by Craig Miller, a follow up to his fun memoir, Star Wars Memories, which I purchased directly from the author. (Since reading the first book I’ve become acquainted with Miller since we learned we live on the same side of town!)
Extended Stay
For the first time ever, I also stayed two extra days in San Diego, arriving a day early for the convention on Tuesday and departing the following Monday morning.
My usual routine over the years has been to drive down early Wednesday morning (departing around 4:30 am, usually arriving right before 7 am when the floor opens to exhibitors for set up, in preparation for Preview Night that begins in the evening.
While that has always worked for me, arriving Tuesday afternoon made things a little less rushed and hectic, allowing me to drop off materials at my booth in advance, and have more relaxed time with family who also arrived early before the frenzy of the show began. And while I similarly never had an issue driving home Sunday evening after the show, staying over until Monday allowed me to have a nice (if expensive) breakfast at the hotel that morning (I was really craving pancakes). I checked out and departed San Diego around 10:30 a.m. and was home in two hours!
Anyway, 2024 is now on the books. On to ‘25!
Below are additional photos from the show. Or click here to see the full gallery.
I'm happy to confirm that I'll be at this year's San Diego Comic-Con, July 25–28, 2024! If you plan to be there, be sure to stop by! I'll be at my usual location, Booth K-1 in the Small Press Area.In addition to all back issues and trade paperbacks, I'll of course have the new 25th issue of Rob Hanes Adventures, as well as the usual fun freebies.
My 5-year-old son appeared on a tv news story about Comic-Con in 2010, and I didn't know about it until last night!!!
So last night, I wanted to play something in the background that wouldn't require my focus, while I did some work. Looking for something on YouTube, I came across a random piece posted by the CBS television news affiliate in San Diego—it appeared to be an hour-long special about the history of the San Diego Comic-Con that dropped during the convention a few weeks ago. (It's 40 minutes, so I'm assuming that was without the commercials).
The opening had what I thought was a fairly brief yet grounded history of Comic-Con, followed by a series of reports from different years and decades of Comic-Con.
The story they included from a 2010 broadcast suddenly made me yell out, "Oh my God!" in delighted surprise. For there on the screen was my then 5-year old son being interviewed (he even gives his name) dressed as Batman. The reporter seemed quite smitten with him lol. He's even wearing a Rob Hanes Adventures pin button! (Btw, our son just turned 18 a few months ago). I only have a vague recollection of being told that he had been interviewed by some news reporter on the floor during the show, but wasn't present myself, and had never seen it nor knew whether anything had ever aired. We think that's my brother (not my wife) holding his hand. Of course, I immediately called out to my wife and son to come watch.
If I recall this incident correctly, I think they cut the best part of the interview. Apparently, the reporter asked him, "Who's your favorite superhero?" To which I was told he replied, "SUPERMAN!"
Below is the 16 second clip from the piece that I recorded and saved for posterity.
[Update: In quickly scanning the show again, I just noticed that the 1996 segment does a quick pan of the Independent Comics area—just past my own booth that year, since it starts with cartoonist BC Boyer, who I shared a booth with and was neighbors with a few years during this period. At the end of the pan shot, you can see cartoonist/artist Paul Pope.]
Coinciding with Comic-Con this week, my booth, the latest issue of Rob Hanes Adventures, and I all make a cameo in today’s Crankshaft syndicated comic strip, courtesy of Crankshaft’s creator-writer Tom Batiuk and artist Dan Davis, when some characters make a trip down to the convention in the strip!
Tom, of course, is the cartoonist creator of the long-running comic strip Funky Winkerbean, which he retired at the end of 2022 after 50 years of syndication—it was a strip I grew up with when I lived in New York and which I have started to revisit now that the strip is being collected. Crankshaft spun off from Funky Winkerbean in 1987, with many characters appearing in both strips.
Tom is a real comics fan and not only did I discover he liked my work, in 2016, he commissioned me to do a faux comic-book cover featuring characters he created and drew in his childhood—it appeared in the Feb. 14, 2016 episode of Funky Winkerbean, fulfilling a childhood dream (albeit for one day) to do a newspaper strip! (It was a fun piece to do and Tom graciously said I really nailed it, saying he knew I’d be the right person for what he had in mind.) I’ve met Tom in person on his occasional forays to Comic-Con and, as I reported last year, had a lovely dinner with him and his wife when he was a guest at the show!
Obviously, it was quite a surprise and honor when Tom contacted me earlier this year to tell me about his plan to portray me and my booth in this sequence—in fact, because he wanted to feature the cover to my latest issue in the strip, his request provided the impetus for me to produce the cover when I did, since he needed it in time to deliver the strip to the syndicate (usually a few months in advance). Anyway, yes, I’d been keeping this under wraps since early spring and how cool now to see it in print!
Below is the color version of the strip that posted online...
