78 Years Ago Today...

As many people know, the comic strip that initially inspired my own work is Milton Caniff’s Terry and the Pirates. Caniff created the strip for the Chicago Tribune New York News Syndicate and worked on the strip from 1934 until 1946. He left Terry to create a new adventure strip, Steve Canyon, for full ownership and creative control.

On this day, Dec. 29, in 1946 (a Sunday like today!), Caniff ran his final strip—reproduced below, it’s a beaut and an amazing culmination of his work on Terry. Caniff had announced that he was leaving Terry many months before, but made a point not to let up in the home stretch. (Canyon would debut on January 13, 1947.)

I’m partly running this because I missed the opportunity to mark the 60th anniversary of Terry's debut on October 22, 1934. Building on some groundbreaking work by others—most notably Roy Crane (Wash Tubbs) and Caniff’s studio-mate and friend, Noel Sickles (Scorchy Smith)—Caniff started a whole school of cartooning whose style influenced several generations of cartoonists.  I’ve included a strip from Caniff’s first year to demonstrate how much he had grown artistically. At the point of oversimplifying, much of it was based on the use of heavy black, chiaroscuro/impressionistic effect, rather than for decorative purposes.

In issue 25 of Rob Hanes Adventures, I paid homage to Caniff, as well as to Terry and Canyon, and to many of his peers and their characters, by having him travel back in time to the 1940s and team up with dopplegangers of the soldiers of fortune and other characters from the era. And I carried over this tribute in my recent holiday greeting where a sign in the image reads, “Ring Out the Old, Ring in the New” as Caniff cleverly did in the final panel he drew in the Terry strip on the eve of a new year. 

Cartoonist George Wunder picked up the reins on Terry and continued the strip to its end in 1973. Canyon ended its run with the passing of Caniff in 1988.

Going Back in Time – RHA #25

Influences and Inspiration

Remembering R.C. Harvey

I was saddened by the news today of the passing of R.C. "Bob" Harvey, cartoonist and comics scholar and historian. While I didn't know him well, we connected many years ago when I was starting out due to our shared interest, of course, in cartoonist Milton Caniff—I believe he first reached out to me knowing my work was deeply inspired and influenced by Caniff. We exchanged some letters and I'd see him at conventions, where he'd often stop by my table to say hi and catch up on my issues.

I enjoy comics history and scholarship nearly as much as comics themselves, so Bob's work in this area always interested me. Over the years, I was aware that he was working on a biography on Caniff, so I'd always ask about its status. I was delighted when Fantagraphics released it, called Meanwhile... —though he told me he had to cut it down a bit for length, the book still came in at nearly 1000 pages. I obviously was the target audience, but it says much about Bob's writing skills that I found the book to be a great read and engaging—I tore through it in less than a week. It sits in a prominent place on a bookshelf and I still occasionally go through it.

One other nice connection—Bob received the Inkpot Award from San Diego Comic-Con the same year as me in 2018! It was more than well deserved and I'm glad I had the opportunity to congratulate him in person.

Below: A sample of Bob's clean cartooning style and the cover to his biography of Milton Caniff.

From the Art Vault, Pt. 1

Below is the original art for a Rob Hanes Adventures "pinup" from 1995 that was used on the cover of the Nov. 1997 cover of Diamond Comics' PREVIEWS catalog featuring a collage of upcoming comics....

(The leather coat he's wearing has a little too much red in it. A bit of trivia: it actually was supposed to be a "vintage" leather army air force flight jacket that was sometimes worn by the lead character in the classic adventure strip, "Terry and the Pirates," during World War II. My character wore it in a few early stories.)

My Robert Culp Story

Given the passing of actor Robert Culp, I thought this would be an appropriate time to share a personal anecdote about the actor that actually connects to comics....

One night several years back, I came home to find a voice message from someone who said he had gotten my number from comics fan and mutual friend Shel Dorf. The quality of the message wasn't very good, but the caller in the message said he was developing a film adaptation of Milton Caniff's adventure strip, Terry and the Pirates, and was looking for an artist to do a comic-book tie-in with the movie. Shel had told the caller that I was one of the best Caniff-inspired artists around and passed along my phone number. He said his name was Robert Culp.

I didn't think anything of it (remember, the quality of the machine message wasn't very good) and the next day returned his call. When he got on the line and said, "This is Robert Culp," I paused—there was no mistaking that voice. I can't recall if I asked him right away, but at some point during our conversation, I blurted out, "Excuse me, but are you Robert Culp the actor?" He quickly and matter-of-factly said yes, then went on to talk about the project.

He told me he was going to be going to Asia to begin shooting a Terry and the Pirates film he had scripted and needed an artist to do a comic-book adaptation tie in. (I can't recall now if he said he was directing it as well.) It turns out Culp was a huge Terry fan.

In addition to spending a little time reminiscing about the strip, I ended up giving Culp a little overview of how the comics publishing and distribution business worked. I recall thinking that a better way to go would be to simply license the adaptation to an established publisher (like Dark Horse) and let them do all the work rather than expend his own time, effort and resources to write and publish the comic-book. But at the time I kept this to myself, partly because he seemed determined to do the book himself and because, frankly, I decided it best to hold a bit back thinking this might be a way at some point to become involved in the project by helping him to shepherd the project.

In terms of doing the art, however, I didn't feel I had the time to commit to such a project—but I told him I would send him samples of my work. (I recall a slightly deflated Culp saying, "Randy, don't break my heart.") I ended up referring him to a fellow artist who I thought would be a good fit for the job. I spoke with him afterwards. Although he said they had an interesting conversation, my friend wasn't sure yet if he would do it—he was concerned about the tight timeline and that Culp wanted a straight Caniff impersonation which wouldn't allow much room for personal expression—but he said if he did take the job, he'd need help and wondered if I would be interested. I, of course, said "yes," and had hoped I would have a chance to contribute somewhat to the project if my buddy did it.

Knowing how Hollywood works, I did immediately wonder how solid the film really was, especially since I hadn't heard about it. As time passed, of course, nothing came of it—but as I said, that's how Hollywood works. A year or two later I passed him at a signing at the San Diego Comic-Con, but decided not to introduce myself, not being sure if he'd remember our telephone conversation. (I think I have a photo from that time, but couldn't find it in time for this post.)

In doing some research for this piece, I did find a few Culp and Terry references. An article about the recent complete IDW compilation of the strip from 2007 mentions that Culp "had written several screenplays for a Terry film, but to date, nothing has come from it." The Wikipedia article on Terry and the Pirates also mentions that "Robert Culp admitted that the comic strip Terry and the Pirates was his inspiration for the 'tone' and 'spirit' and 'noir heightened realism' of the 1965 NBC TV Series, I Spy."

Though "I Spy" was before my time (though it was available in reruns when I was growing up) and I wasn't a big fan of "Greatest American Hero," I nevertheless was very familiar with Culp and enjoyed his affable, easy-going manner.

In any case, the news of Culp's passing gave me an opportunity to remember this brief personal encounter with the actor, connecting on a common interest we shared.